The speaker, presumably a film critic or reviewer, presents a list of the 20 worst Disney animated sequels. The speaker starts by expressing surprise at the quality of Disney sequels, especially considering the high standards of the original films. The speaker then proceeds to critically analyze each sequel, highlighting their flaws and inconsistencies.
The speaker begins with "Return to Never Land", criticizing the scenario and the character development. Next, the speaker discusses "The Secret of the Little Mermaid", praising some aspects of the animation but criticizing the plot. The speaker then moves on to "Lady and the Tramp 2: Call of the Street", criticizing the lack of originality in the storyline.
The speaker also criticizes "The Return by Jafar", "Beauty and the Beast 2: Enchanted Christmas", "Lilo and Stitch 2: Hawaii We Have a Problem", "The Little Mermaid 2: Return to the Ocean", and "Cinderella 2: A Princess’s Life". The speaker criticizes the lack of originality, poor character development, and forced storylines in these films.
The speaker then discusses "Riddles of Atlantis", "Stitch! The Film", "Rox et Rouky 2", "Tarzan 2", "The Jungle Book 2", "The Legend of Tarzan and Jane", "The Magical World of Beauty and the Beast", "Mulan 2", and finally "The Hunchback of Notre Dame 2: The Secret of Quasimodo". The speaker criticizes the lack of depth in the characters, the forced storylines, and the simplistic messages in these films.
The speaker concludes by expressing surprise at the quality of Disney sequels and invites viewers to share their opinions in the comments. The speaker also encourages viewers to subscribe to the channel and enable notifications.
1. The speaker is discussing a list of the 20 worst Disney animated sequels.
2. The speaker has watched all the Disney animated sequels to compile this list.
3. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
4. The speaker expresses a dislike for certain characters and plot developments, such as Stitch in "Lilo and Stitch 2: Hawaii We Have a Problem" and Kronk in "The Emperor's New Groove 2".
5. The speaker has a particular dislike for sequels that repeat the adventure of the original Disney film, such as "Return to Never Land" and "The Little Mermaid 2: Return to the Ocean".
6. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
7. The speaker provides a detailed analysis of each sequel, including the plot, characters, and animation quality.
8. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
9. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
10. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
11. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
12. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
13. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
14. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
15. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
16. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
17. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
18. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
19. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
20. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
21. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
22. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
23. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
24. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
25. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
26. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
27. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
28. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
29. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
30. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
31. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
32. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
33. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
34. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
35. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
36. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
37. The speaker criticizes the use of forced humor and childish storylines in some of the sequels.
38. The speaker is providing a detailed analysis of each sequel, including the plot, characters, and animation quality.
39. The speaker criticizes the use of forced humor and childish storylines in some of the