The text appears to be a transcript of a stand-up comedy performance by Slava Komissarenko. The performance is filled with humor and personal anecdotes.
Komissarenko begins by expressing gratitude to the audience and asking them not to film the performance, as it is new material that he plans to film himself. He emphasizes the importance of not filming the performance, stating that it is not being filmed because it's new material. He also mentions that he has been asked not to film by a journalist from Deutschevel Belarus, Tatyana Nevedoskaya, who reprinted his concert in her own newspaper.
Komissarenko shares a personal anecdote about a journalist who stole his jokes and used them in her publication. He expresses his frustration and shock, stating that he was in shock when he found out that the journalist had stolen his jokes. He also mentions that he has never stolen a joke in his life and that he has been pushing complaints in this matter.
The comedian also shares about his plans to move to Poland, stating that he is already in Poland and doing documents in Poland. He mentions that he is in Warsaw and plans to live there. He also shares about his fear of dentists and how he overcame it.
Komissarenko also shares about his performance style, stating that he never performs drunk and that he enjoys performing in a format where multiple comedians sit on chairs and accelerate the material together. He also shares about a performance where he had to stop in the middle of a joke due to silence in the audience.
The comedian ends his performance by expressing gratitude to the audience and stating that he will return to free Belarus.
1. The speaker expresses gratitude to the audience and requests them not to take pictures or film the event. This is because the material is new and they plan to film it themselves [Source: Document(page_content="00:00:00.30: all guys Thank you very much I have Everything\n00:00:02.34: for you Best of all thank you\n00:00:05.23: [applause]\n00:00:06.90: [music]\n00:00:18.20: I think we’ll have a great\n00:00:20.52: time with our only request\n00:00:21.72: please don’t take pictures But you don’n care so take pictures these are\n00:00:23.28: Belarusian rules Yes they are flexible Yes don’t\n00:00:29.34: forget about this\n00:00:32.58: very thing the main thing is please don’t film it,\n00:00:34.74: it’s very important it’s not being filmed\n00:00:36.48: because it’s new material, we\n00:00:37.92: ’ll film it ourselves, please don’t film it. You\n00:00:39.24: always have to say it out\n00:00:41.28: Because people listen to you And then they do\n00:00:43.56: n’t give a damn about it, you say please\n00:00:46.20: don’t film people saying things like you I might have\n00:00:48.60: thought Yes, and then after the concert\n00:00:51.66: they tag me on video Where I stand and say\n00:00:53.34: please don’t film the\n00:00:55.28: signature Komissarenko asks you not to film the\n00:00:57.54: hashtag we don’t give a [ __ ] And now it’s [ __ ]\n00:01:01.74: cool I just filmed this\n00:01:04.68: I understand what the problem is The problem is in my\n00:01:07.56: facial expression Because when I\n00:01:09.84: forbid something, I have such an expression on my face as\n00:01:12.30: if I can say Oh, [ __ ], do you hear? Well, let's\n00:01:15.32: ban jokes,\n00:01:19.26: you know. For a very long time I thought that for a\n00:01:21.54: comedian there is nothing worse than if\n00:01:23.46: spectators come to your concert and film your\n00:01:25.32: jokes and will post it on the Internet, but\n00:01:27.96: recently the\n00:01:29.94: correspondent of Deutschevel Belarus, Tatyana\n00:01:32.70: Nevedoskaya, came to my concert Yes, now I know her\n00:01:35.04: name Yes, now it’s not a stranger, not a person\n00:01:37.76: These things she did, you know what she did\n00:01:40.26: She came to my concert and\n00:01:42.32: [ __ ] reprinted my concert in her own\n00:01:46.56: imagine his newspaper, it’s\n00:01:50.16: generally\n00:01:53.28: clear that not