Sifat olone bolodewo di bongkar dining petruk bagong.. ora nonton rugi bosku ramepooll - Summary

Summary

The provided text appears to be a transcript of an audio or video recording, possibly a performance or a speech. It's difficult to provide a concise summary without more context, but here are some key points that can be inferred from the transcript:

- The transcript seems to be in Indonesian, as indicated by the use of Indonesian words and phrases.
- The speaker, identified as Dadi Ratu Mandra, talks about his obligations and responsibilities, possibly in a personal or family context. He mentions the importance of coming to Poro and the obligations of a father.
- There are references to places like "Kalimantan", "Selatan", and "Jakarta", suggesting that the conversation might be related to these locations.
- The transcript includes a lot of music and laughter, indicating that it might be part of a performance or a public event.
- The speaker talks about his father, Semar, and his son, Petruk, and their roles and responsibilities.
- The speaker also mentions a person named "Ning", possibly a younger male relative, and talks about his obligations and feelings.
- The transcript ends with the speaker mentioning a "flood" and a person named "Wong", possibly a female relative.

Without more context, it's hard to provide a more detailed summary. The transcript seems to be a dialogue or monologue, with the speaker expressing his thoughts and feelings, possibly about his family, relationships, and obligations.

Facts

The text provided is a script from a performance, and it appears to be in Indonesian. It includes timestamps, speaker identifications, and spoken content. Here are the key facts extracted from the script:

1. The speaker "Dadi Ratu Mandra" starts the performance pretending not to be on asphalt and not going up to a post rondo saiki.
2. The speaker mentions "wangsulan", "sampean ora awet dadira", and "ngoten iku kudu Tresno Asih marang".
3. The speaker talks about "kawulane Mergo" and the most important obligation to come Poro.
4. The speaker refers to "kawulo mboten Kawula menika Mang dadekke" and "pancatan sirahe nggolenggah Kursine".
5. The speaker talks about "mboten ning nang Junjung kawulo nek" and "sampeyan wants to be treated to rumongso Dadi".
6. The speaker says "Ratu niku opo werdine sang prabu kulo" and "takon takon let it be".
7. The speaker refers to "tight" and "to Petruk S2".
8. The speaker mentions "Kalimantan Kalimantan" and "Selatan".
9. The speaker talks about "moral crisis fragrant" and "Dadi rempong sing wronged dudu".
10. The speaker refers to "Sewu Urip mawon kekayalan manganese ping 3" and "Ning sing not awake ki Kayangan".
11. The speaker mentions "Barbie the police" and "Madura will be strong I will help with your father Petruk".
12. The speaker refers to "Vishnu's part" and "the question is the country".
13. The speaker mentions "Gandrung" and "Malik plays you, how come you're ngeneke, gentlemen, wong".
14. The speaker refers to "Joko's responsibility" and "andI".
15. The speaker mentions "gratitude" and "love".
16. The speaker refers to "keep on" and "I understand".
17. The speaker mentions "Father mesem Neng artine ora happy" and "jenenge Semar Semar Bapak Ki crying".
18. The speaker refers to "wirangke saiki Nanda Wirang lost his capital for a year and started to be full of consequences".
19. The speaker mentions "pesugihan" and "Ne Yo tenan".
20. The speaker refers to "wrong wrong" and "country".
21. The speaker mentions "tembung sampeyan sing pingkasan Petruk" and "salary and obligations every day Satrio sing kulo omong".
22. The speaker refers to "elek" and "sampeyan mentolat everyone".
23. The speaker mentions "Wongsorejo" and "Abang".
24. The speaker refers to "Masha Allah" and "America".
25. The speaker mentions "Bagong" and "usual 21".
26. The speaker refers to "whatever" and "please".
27. The speaker mentions "household" and "twins".
28. The speaker refers to "flood" and "Werkudara muslim".
29. The speaker mentions "dadi wong miss" and "dadi wong wrong".

Please note that the context of these facts might not make sense without the full performance context.