Miguel Salas MIX en vivo: Sarita - Busco un amor - Hoy estoy aquí . - Summary

Summary

Here is a concise summary of the provided text, which appears to be a transcript of a song or a live music performance with audience interactions:

**Summary:**

* The performance opens with music and applause, dedicating a song to "all the little girls of Peru" and a person named Sarita.
* The lyrics express longing for Sarita, seeking a single, true love who won't play games with their heart.
* The performance transitions into interactive segments, with the artist:
+ Asking for a specific kind of loving woman (e.g., a "single Peruvian girl" who loves sincerely).
+ Engaging the audience with call-and-response, dance encouragement, and playful questions.
+ Mentioning various Peruvian locations and cultural references.
* The song's themes evolve to reflect on the artist's temporary presence, impending departure, and the lasting impact on loved ones.
* The performance concludes with repeated calls for "one more" song, applause, and a final farewell message from the artists, Víctor Pat Barrientos and others.

Facts

Here are the key facts extracted from the text, keeping each fact as a short sentence and numbered for reference:

**Note:** Since the text appears to be a transcript of a song or a musical performance with multiple repetitions and lyrical content, the extracted facts might be limited in scope.

1. The performance is intended **for all the little girls of Peru**.
2. A person named **Sarita** is repeatedly mentioned throughout the performance.
3. The performance includes **calls to dance** and **audience participation**.
4. The location **Guaral** is mentioned, indicating a possible setting or reference point.
5. **Peru** is highlighted as the country where the enjoyment or event is happening all over.
6. **Mallorca** is mentioned with the context of something (possibly an event or a beer) coming for its people.
7. The performance involves **touring Peru**, as stated by the performers.
8. Places or terms like **Guanuco**, **Pachara**, and **Pamba Lasit** are mentioned, possibly referencing locations or cultural elements.
9. **Víctor Pat Barrientos** and **Miguelito Salas** are named, seemingly as part of the performance credits or acknowledgments.
10. The performance concludes with a **request for applause** and mentions **Masters Víctor Pat Barrientos** with a dedication involving **Melito** and a **glass of beer**.