La Música de Interstellar: Un Mito de Ruido y Silencio | Jaime Altozano - Summary

Summary

The video analyzes the soundtrack of the movie Interstellar, composed by Hans Zimmer. It explores the themes and leitmotifs used in the score, particularly the "Theme of Cooper's Dilemma" and "Cooper and Murph's theme". The video explains how these themes relate to the movie's narrative and emotional conflicts, such as Cooper's struggle between being a hero and a father.

The video also delves into the unique sound design and textures used in the score, including the use of a pipe organ, which represents humankind's attempts to attain the unattainable and technological development. The pipe organ is also linked to the movie's themes of time travel and the bootstrap paradox.

The analysis highlights the use of the "wall of sound" technique, developed by Phil Spector, which creates a dense and immersive sound by layering multiple instruments and textures. The video also explores the contrast between sound and silence in the score, which reflects the movie's themes of space and the human experience.

Overall, the video provides a detailed and insightful analysis of the Interstellar soundtrack, highlighting its unique themes, sound design, and emotional resonance.

Facts

Here are the key facts extracted from the text:

1. The movie Interstellar's narrative structure is based on the hero's journey, a mythological journey that has accompanied humans for millennia.
2. The hero's journey consists of leaving the ordinary world, crossing the threshold to the unknown, finding what one was looking for, and coming back with it to share it.
3. Cooper's hero's journey in Interstellar is unexpectedly interrupted by his responsibilities as a parent.
4. The main emotional conflict of the plot is Cooper's dilemma, which is the theme of the movie.
5. The theme of Cooper's dilemma is represented by a musical pattern that is repeated twice, first in the major mode and then in the minor mode.
6. The theme is played in both ways, first one and then the other, to represent the dichotomy between two things that cannot be simultaneous.
7. There is another theme in the movie, "Cooper and Murph's theme", which represents the father-daughter relationship between Cooper and Murph.
8. Hans Zimmer composed the music for Interstellar, including "Cooper and Murph's theme".
9. Zimmer used a pedal note, which is a note that is played all the time while the melody and harmony change, in "Cooper and Murph's theme".
10. The pedal note in "Cooper and Murph's theme" is E.
11. The theme is played in different scenes of the movie, including when Cooper chases the drone with his children and when he sees Murph through the library shelf.
12. Hans Zimmer is not a Leitmotiv-ic composer, but he used textures, sonority, and themes to create the soundtrack for Interstellar.
13. The soundtrack for Interstellar features a "wall of sound", a concept developed by music producer Phil Spector.
14. The "wall of sound" is created by layering multiple instruments and sounds to create a dense, immersive sound.
15. Hans Zimmer used a variety of instruments, including violins, double bass players, percussion instruments, and a female choir, to create the "wall of sound" in Interstellar.
16. The pipe organ is a key instrument in the soundtrack for Interstellar.
17. Christopher Nolan asked Hans Zimmer to use the pipe organ in the soundtrack because of its religious connotations and its ability to represent humankind's attempts to attain the unattainable.
18. The pipe organ is a complex instrument that works by pumping high-pressure air through a system of pipes.
19. The pipe organ can have over 15,000 pipes and occupy several floors and hundreds of square meters.
20. The pipe organ is used to represent the paradox of the "first cause" or the "unmoved mover", which is a central theme in Interstellar.
21. The movie Interstellar poses the question of who is the "god" that created the technology to escape black holes.
22. The answer to this question is given by Joseph Cooper, who realizes that humans created themselves and transcended the laws of time to rescue themselves.
23. The plot of Interstellar is an example of a "causal loop" or "Bootstrap paradox", where an event is its own cause.
24. The pipe organ represents humankind's ability to adapt the environment to their needs and to attain the unattainable.
25. The soundtrack for Interstellar, including the pipe organ, represents the movie's themes of human responsibility and the need for humans to work together to achieve their goals.